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  • Minimal Machines 1

Minimal Machines 1

»Minimal Machines 1« was an MoA Design Research Studio investigating the development of machines for non-augmented and augmented spinning on an architectural scale. The machines are to be used as devices in conjunction with a designed material. Given that one of the core paradigms of designing matter is the abolition of machines in favour of matter’s own inner activity, these machines are to be minimal. This can imply tools which are designed to perform the bare minimum required in the assembly of a designed material but it can also mean that matter is designed to become operational—or machinic—itself.

On the one hand »Minimal Machines« allow to collect information about the construction process. On the other, they process this information and return it iteratively into that very process to form an increasingly collective construction intelligence. The studio was structured in three successive phases 1—3 and an overarching phase X. In phase 1 the interrelation of body movement and the making and laying of a textile material were investigated. In phase 2 these observations were translated into minimal machines for crafts(wo)manship that allow to both record and inform these movements of making. In phase 3 a room-scale prototype was collectively developed and constructed in an outdoor location. In phase X the documenting of, the writing about and the archiving of design research work was practised.

Detail view of an indoor prototype. Copyright: Elisa Martignoni/weißensee school of art and design berlin

Explorations of movement patterns (A) Top-view of wearable device for augmented construction (B) Side-view of device for augmented construction (C) and (D) Testing of the augmented construction device. Copyright: Elaine Bonavia, Sara Hassoune and Elisa Martignoni / weißensee school of art and design berlin

(A) Knot connection without »zip-tie« (B) Double twist (C) Multiple connection with »zip-tie« (D) Single twist (E) Connection without knots. Copyright: Marie Rasper / weißensee school of art and design berlin

Scans of hand-spun white and blue wool. Copyright: Sebastián Plaza Kutzbach / weißensee school of art and design berlin

On-site findings of various plants and seeds that could grow and interact with the structure. Copyright: Sara Hassoune and Elisa Martignoni / weißensee school of art and design berlin

Detail views of an outdoor prototype (A) Construction process (B) Bottom view. Copyright: Dr. Mareike Stoll / weißensee school of art and design berlin, EXC MoA

Testing joints on an outdoor prototype. Copyright: Dr. Mareike Stoll / weißensee school of art and design berlin, EXC MoA

Bottom view of an outdoor prototype. Copyright: Dr. Mareike Stoll / weißensee school of art and design berlin, EXC MoA

Responsible Persons and Contributors

Matters of Activity, Humboldt-Universität zu Berlin /weißensee school of art and design berlin

Professor Dr.-Ing. Karola Dierichs
Jessica Farmer, BA
Dr. Mareike Stoll


Matters of Activity, Humboldt-Universität zu Berlin /Max Planck Institute for Colloids and Interfaces

Dr. Laurence Douny
Dr. Michaela Eder
Nikolai Rosenthal, MSc
Charlett Wenig

weißensee school of art and design berlin

Elaine Bonavia, MSc – weißensee school of art and design berlin

Students BA Textile- and Surface Design

Madleen Albrecht
Sara Hassoune
Elisa Martignoni
Sebastián Plaza Kutzbach
Marie Rasper

Contact
Cluster of Excellence
Matters of Activity
Image Space Material

Humboldt-Universität zu Berlin
Unter den Linden 6
10099 Berlin
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